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In the Garden of Beasts

Cover of In the Garden of Beasts

In the Garden of Beasts

Love, Terror, and an American Family in Hitler's Berlin
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    CHAPTER 1

    Means of Escape

    The telephone call that forever changed the lives of the Dodd family of Chicago came at noon on Thursday, June 8, 1933, as William E. Dodd sat at his desk at the University of Chicago.

    Now chairman of the history department, Dodd had been a professor at the university since 1909, recognized nationally for his work on the American South and for a biography of Woodrow Wilson. He was sixty-four years old, trim, five feet eight inches tall, with blue-gray eyes and light brown hair. Though his face at rest tended to impart severity, he in fact had a sense of humor that was lively, dry, and easily ignited. He had a wife, Martha, known universally as Mattie, and two children, both in their twenties. His daughter, also named Martha, was twenty-four years old; his son, William Jr.--Bill--was twenty-eight.

    By all counts they were a happy family and a close one. Not rich by any means, but well off, despite the economic depression then gripping the nation. They lived in a large house at 5757 Blackstone Avenue in Chicago’s Hyde Park neighborhood, a few blocks from the university. Dodd also owned--and every summer tended--a small farm in Round Hill, Virginia, which, according to a county survey, had 386.6 acres, “more or less,” and was where Dodd, a Jeffersonian democrat of the first stripe, felt most at home, moving among his twenty-one Guernsey heifers; his four geldings, Bill, Coley, Mandy, and Prince; his Farmall tractor; and his horse-drawn Syracuse plows. He made coffee in a Maxwell House can atop his old wood-burning stove. His wife was not as fond of the place and was more than happy to let him spend time there by himself while the rest of the family remained behind in Chicago. Dodd named the farm Stoneleigh, because of all the rocks strewn across its expanse, and spoke of it the way other men spoke of first loves. “The fruit is so beautiful, almost flawless, red and luscious, as we look at it, the trees still bending under the weight of their burden,” he wrote one fine night during the apple harvest. “It all appeals to me.”

    Though generally not given to cliche, Dodd described the telephone call as a “sudden surprise out of a clear sky.” This was, however, something of an exaggeration. Over the preceding several months there had been talk among his friends that one day a call like this might come. It was the precise nature of the call that startled Dodd, and troubled him.



    For some time now, Dodd had been unhappy in his position at the university. Though he loved teaching history, he loved writing it more, and for years he had been working on what he expected would be the definitive recounting of early southern history, a four-volume series that he called The Rise and Fall of the Old South, but time and again he had found his progress stymied by the routine demands of his job. Only the first volume was near completion, and he was of an age when he feared he would be buried alongside the unfinished remainder. He had negotiated a reduced schedule with his department, but as is so often the case with such artificial ententes, it did not work in the manner he had hoped. Staff departures and financial pressures within the university associated with the Depression had left him working just as hard as ever, dealing with university officials, preparing lectures, and confronting the engulfing needs of graduate students. In a letter to the university’s Department of Buildings and Grounds dated October 31, 1932, he pleaded for heat in his office on Sundays so he could have at least one day to devote to uninterrupted writing. To a friend he described his...

Reviews-
  • AudioFile Magazine Professor William E. Dodd, FDR's fifth choice for the post of American ambassador to Germany in 1933, was na•ve and unsuited to the lavish diplomatic highlife. However, his flamboyant daughter, Martha, fit right in, growing infatuated with Berlin and Nazism. Stephen Hoye narrates Erik Larson's absorbing look at pre-WWII Germany, when Germany was crawling back from political and economic upheaval. Using journals, letters, and secondary and archival source material, Larson recounts the increasingly chaotic environment of diminishing civil rights, increasing anti-Semitism, violence, and brutality. Hoye's gripping performance chills to the soul. Dodd's warnings to Washington of Hitler's dark motives went unheeded partly because Washington feared that, if censured, Germany wouldn't pay its postwar debts. Hoye's edgy reading makes familiar events seem no less nightmarish. S.J.H. Winner of AudioFile Earphones Award (c) AudioFile 2011, Portland, Maine
  • The New York Times

    "By far his best and most enthralling work of novelistic history....Powerful, poignant...a transportingly true story."

  • Financial Times "Tells a fascinating story brilliantly well."
  • Christian Science Monitor "Highly compelling...Larson brings Berlin roaring to life in all its glamour and horror...a welcome new chapter in the vast canon of World War II."
  • Los Angeles Times "Terrific."
  • Newsweek "A stunning work of history."
  • The New York Times Book Review "Larson has meticulously researched the Dodds' intimate witness to Hitler's ascendancy and created an edifying narrative of this historical byway that has all the pleasures of a political thriller....a fresh picture of these terrrible events."
  • Women's Wear Daily "
    "Larson has taken a brilliant idea and turned it into a gripping book."
  • Vogue.com "Harrowingly suspenseful."
  • Louisville Courier Journal "A gripping, deeply-intimate narrative with a climax that reads like the best political thriller, where we are stunned with each turn of the page."
  • Minneapolis Star-Tribune "Electrifying reading...fascinating."
  • Asbury Park Press "Larson's latest chronicle of history has as much excitement as a thriller novel, and it's all the more thrilling because it's all true."
  • Toronto Globe and Mail "A superb book...nothing less than masterful."
  • Portland Herald "Even though we know how it will end -- the book's climax, the Night of the Long Knives, being just the beginning, this is a page-turner, full of flesh and blood people and monsters too, whose charms are particularly disturbing."
  • Maclean's Magazine "Larson succeeds brilliantly...offers a fascinating window into the year when the world began its slow slide into war."
  • BookReporter.com "Erik Larson tackles this outstanding period of history as fully and compellingly as he portrayed the events in his bestseller, THE DEVIL IN THE WHITE CITY. With each page, more horrors are revealed, making it impossible to put down. IN THE GARDEN OF BEASTS reads like the true thriller it is."
  • Cleveland Plain Dealer "Larson's strengths as a storyteller have never been stronger than they are here, and this story is far more important than either "The Devil in the White City" or "Thunderstruck." How the United States dithered as Hitler rose to power is a cautionary tale that bears repeating, and Larson has told it masterfully."
  • The Washington Post "Reads like an elegant thriller...utterly compelling... marvelous stuff. An excellent and entertaining book that deserves to be a bestseller, and probably will be."
  • Pittsburgh Review "
    "Larson's scholarship is impressive, but it's his pacing and knack for suspense that elevates the book from the matter-of-fact to the sublime."
  • People ( "A master at writing true tales as riveting as fiction."
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In the Garden of Beasts
In the Garden of Beasts
Love, Terror, and an American Family in Hitler's Berlin
Erik Larson
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Erik Larson
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